Yandé Codou, la Griotte de Senghor (2008) by Angèle Diabang Brenner
African filmmakers are often described as cinematic griots, continuing the oral tradition of the African griot via visual storytelling. Angèle Diabang Brenner blurs the boundaries of the two in Yandé Codou, the Griotte of Senghor (2008), recounting the life of this mythical figure, “the only one who could interrupt Leopold Sedar Senghor’s speech with a song of praise”.
Yandé Codou Sène, born in 1932, is the haunting voice in many Senegalese films. Mossane by Safi Faye is perhaps one of the most stunning. Yandé Codou Sène's incantations introduce the beautiful Mossane as she baths in the mythical Mamangueth, and at the end, at the site of her tragic fate, she sings her praises.
Yandé Codou Sène, born in 1932, is the haunting voice in many Senegalese films. Mossane by Safi Faye is perhaps one of the most stunning. Yandé Codou Sène's incantations introduce the beautiful Mossane as she baths in the mythical Mamangueth, and at the end, at the site of her tragic fate, she sings her praises.
Yandé Codou Sène, diva séeréer (2007) by Laurence Gavron
In her film, Yandé Codou Sène, diva séeréer, Laurence Gavron, naturalized Senegalese, originally from France, returns to the roots of the Serer Diva.
Carrying on the tradition of the griot, the voices of Senegalese women continue to be heard and seen, and while Yandé Codou Sène has parted, her unforgettable voice will remain with us always.
Excerpt from the 21 June 2009 post on AfricanWomen in Cinema Blog, "The Evolution of Senegalese Women in Cinema."
Relevant Links
Yandé Codou Sène, plus qu'une cantatrice by Olivier Barlet, Africultures
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